CDs for sale.
Easy purchase via PayPal. All CDs $15 which includes shipping & handling.
Linger for a moment, listen to some excerpts, see what you think.
Paul Renz guitar *composed all the music
Anders Bostrom flutes
Nathan Fryett drums
Eric Graham bass
Brian Ziemniak hammond organ & piano
Paul Renz guitar
Anders Bostrom flutes
Nathan Fryett drums
Eric Graham bass
Brian Ziemniak hammond organ & piano
Paul Renz guitar
Nathan Fryett drums
Eric Graham bass
Andrew Schwandt tenor sax
Brian Ziemniak hammond organ
Paul Renz guitar
Eric Graham bass
Clint Hoover harmonica
Ernesto Laboy percussion
Greg Schutte drums
Chris Thomson tenor sax
Paul Renz guitar
John Iden bass
Greg Schutte drums
Ruston Reynolds tenor sax
Donna Lee
Secret Love
Walker’s Wamba
Latin In Deed/Impressions
Gabe’s Blues
Dish It Up
Paul Renz bass *composed all the music
Dave Brattain & Keni Holmen tenor saxophones
Ron Edgar drums
Jonathan Pemberton trumpet
David Singley & Loren Walstad guitars
Robert Black Conducts
Slovak Radio Symphony Orchestra
Silesian Philharmonic Orchestra | MMC 2008
Boston Overture 9:15 William Thomas McKinley
Symphonia Brevis Miriam Gideon
Allegro 4:04
Andante 5:36
Underground 10:56 Robert Black
Composite 13:53 Joseph Koykkar
Revelation 7:56 Maxine Warshauer
Three Minute Waltz 2:42 Mitch Hampton
A Symphonic Poem (1992) 12:32 Paul Renz
Recorded by the Silesian Philharmonic Orchestra
in Katowice, Poland, December 1992.
Sight Singing Book
Easy purchase via PayPal. $10 includes shipping & handling.
An Introduction to Sight Singing
Forward:
”In my experience as an educator, I have found that many students are uncomfortable, even petrified at the prospect of sight singing in the classroom. Sight singing is seldom taught during the early stages of music appreciation or study, so when it’s finally offered at the high school or college level, students find it intimidating rather than enjoyable. I strongly encourage music teachers to introduce sight singing materials to students as early as possible and to make it an enjoyable experience. Sight singing, or solfege, is a wonderful way to enhance musicianship. It enables the student to develop an “inner ear,” the ability to look at a piece of music and hear how it sounds without actually playing it on an instrument. Solfege is the perfect companion to sight reading, familiarizing the student with fundamental rhythms, intervals, and melodic patterns. This book should be used in conjunction with other sight singing and sight reading materials to insure a comprehensive and varied exposure to written music.” Paul Renz